Sunday, May 31, 2015

"Twilight"; Horse Painting In Progress

"Twilight Reverie", oil painting in progress

Sound the trumpets! Ring the church bells! 

I am finally at long last back to work on paintings! 

Last year was a difficult year, and to tell you the truth, I am still recovering from surgery and the consequences thereof. But, I'm getting my mojo back and have worked on this painting for the past two days. 

When last I worked on it exactly one year ago, I could see a few problems with it and wasn't quite sure what to do about them. And so it sat on the studio wall for months and months. My mind was just not in the right place to deal with painting problems - until now. 

I am back to riding after another long layoff due to a knee injury. I am back to gardening which was a near impossibility last year. The flower beds are cleaned out, and I'm ready to plant and fertilize and mulch. I can walk almost normally (although not far without pain). In short, I am back into a normal routine of being able to do the things I care the most about. 

And one of those things is painting. With the thought of Nothing Ventured, Nothing Gained, I resumed work on this painting yesterday and today. It is now back on the studio wall to dry before I tackle painting the final layers of the horse which is still in the underpainting stage. 

There were several things that needed correction. For one, the background trees on the right needed improvement. For another, the outline of the horse had "grown" during the initial painting stage, as often happens, and needed to be trimmed back. The rump was too rounded and plump. I did a few nips and tucks in other areas as well. 

But the biggest problem I could see was that the head was too large in proportion to the body. That could have been due to camera compression and distortion or it could have been due to the head growing as it was painted or it could have been both. At any rate, it got an over all trim and now looks more in proportion and in perspective. I am pleased. 

What will I work on next while "Twilight" dries? There is that little lamb study I never finished, two cat paintings and another of a horse rolling. I am anxious to finish up paintings to fill up my depleted inventory and get started on some new ones. 

I am eager and ready. Sound the trumpets!

Wednesday, May 20, 2015

"Houseplant" Colored Pencil Drawing

"Houseplant" 5x8 colored pencil drawing
This is a colored pencil drawing of a house plant that I did thirty years ago. It was drawn from life. I never finished it and, from time to time, come across it again as I leaf through this sketchbook. Each time I admire it and feel that it has potential. 

Maybe it's time to get out the colored pencils and actually finish it. Only one of the leaves has been burnished with a colorless blender. How will I complete the rest? That is something to ponder. 

I no longer remember what kind of plant this is. I only know that it was one of the few houseplants that I couldn't manage to kill through neglect. 

Monday, May 11, 2015

Figure Head Sketches From TV

"Jim Sciutto of CNN" thumbnail sketch
 Yesterday was Mother's Day. My kids never come home for this occasion because they come up for the longer Memorial Day weekend which is later in the month. That's fine with me. The weather is still iffy on Mother's Day and not much to do anyway. 

So, my husband took me out for a lovely brunch at The Blue Pelican Inn in Central Lake. We had a lovely meal and afterwards took the long way home just to get in a little drive, even though it was cloudy and sprinkling. 

When we got home, my husband busied himself with mowing the lawn for the first time and cleaning up tree debris from where we had two big beech trees cut down a week ago. Since it was MY day, I did whatever I felt like doing; I watched my Sunday morning shows on CNN and did a little sketching. The first sketch is of Jim Sciutto hosting "State Of The Union". Since I had recorded this show, I paused it at an appropriate pose moment and finished the sketch which I had already started "live" from the TV. 

In another segment, he was talking to a White House advisor, and I sketched this fellow, too. Didn't pause the video for this one; just went for the gesture drawing. 

"White House Advisor" thumbnail sketch
 This was a good exercise in observation and drawing quickly while the subject is moving around. I used a mechanical pencil for these sketches which are only about 2x2 inches so they are very rough. 

I confess that I don't often draw people, and considering that, I am quite pleased with how these two little sketches turned out. I think I was able to capture the unique features of each man to the point that they could be identified by those who know them. I was able to capture the more chiseled features of Jim compared to the softer more rounded features of the advisor. They are not finished portrait quality by any means, but they work for what they are; thumbnail sketches of two different men. 

Wednesday, April 29, 2015

SOLD! My First Horse Art Sale

"The Dressage Clinic" 16x20 inch pastel, Sold

Pictured above is the very first work of art that I sold that wasn't a portrait. I'd been doing horse and pet portraits for years but had never managed to sell an original work of art before. 

This pastel painting came about by way of an exercise in a color drawing class in art school. I liked the exercise of exploring lost and found edges of objects and thought it would be fun to explore using horses as subject matter. Before that I had done a couple with deer in them and sail boats but dropped the technique until years later. 

After getting back into horses again and moving my horse to a new barn, I discovered dressage and a fellow boarder who was a dressage rider. One weekend, three of us from the barn went to a dressage clinic at Bay Harbor Equestrian Center outside of Petoskey, Michigan to observe. The clinic instructor was none other than Steffen Peters, a well known and accomplished professional dressage rider and Olympian. I took my camera and got a lot of pictures despite the poor lighting in the large indoor arena. 

From the best of those photos, The Dressage Clinic emerged. The process is a bit complicated to explain. It involves cut outs of horses and riders laid down on the paper and rubbed over with pastel dust along the edges. First, of course, you must arrange all the cut outs in a pleasing array of different sizes. After this stage was complete, I went on to add details to the figures with colored pencils, leaving some areas to be "lost" and some "found". 

For those of you who are not familiar with dressage, a dressage test consists of riding from letter to letter spaced out around the dressage arena. The letters tell the rider when to transition from walk to trot or to canter a 20 meter circle or whatever the test calls for. That is what the letters in the painting reference. 

This painting is far from my best work, even at that time, but it does mark a milestone in my advancement as a professional equine artist. I went on to create another better dressage clinic piece with a different color palette, but it would not photograph well, and I finally destroyed it. I haven't done any more since. 

Below is another pastel painting using the same technique. This one depicts a

foal playing. The title is Playtime, and this one also sold. 


"Playtime", 11x14 pastel, Sold
This is an excellent exercise in manipulating shapes, sizes, harmonious colors and lost and found edges. Maybe some day I will do another. 

PS A "lost" edge is one that disappears in the picture. Lost edges can be very important in a painting or drawing as they help to draw attention to the "found" edges and points of interest by deemphasizing other edges and areas. 

Saturday, April 18, 2015

"Scotch Bar Lochinvar"


My horse, Scottie

My horse, Scottie, turned thirty a few days ago. That is a remarkable achievement for a horse, and considering how gravely ill Scottie was just two and a half years ago, it is doubly remarkable. 

The picture above is one I took when Scottie was almost five. It has always been one of my favorites. In fact, I created a drawing based on it and then had limited edition reproductions made of that. See below. 

"Scotch Bar Lochinvar" pencil drawing of a horse
After a thirty year absence from the horse world, I started taking riding lessons in my forties and bought Scottie a short six weeks later. The first day walking into that horse barn, I had such a strong feeling of coming home that I knew right then and there that I was meant to be in that world and vowed never to abandon it again. The sights, sounds and smells of that barn and the horses were all familiar, burned into my psyche from the years spent in barns as a youngster and a deep passion for horses for as far back as I can remember. 

At that time I was a middle aged woman who was trying to conquer my fear of riding and a life long shame of being what I considered then to be a coward. It was a huge step for me; a make it or break it one. If it didn't work out, I would have lost nothing, but if it did I had the world to gain. I was lucky to find the perfect trainer to take me on that journey, one who understood my fears and guided me gently along the way with no admonishments to Cowboy Up or Just Do It. That was the last thing I needed to be told. 

Scottie, it turned out, was my lesson horse. Scottie was a four year old, slightly green, unregistered Quarter Horse (which is a story in itself). But his temperament was such that he was being used for lessons by the trainer. He was a perfect match for me, and as it turned out, he was for sale!

I made a deal with my husband, and Scottie was mine! Little did my husband realize the consequences of his wife's passion, but he has been supportive all through the years.

Buying Scottie was just the beginning of immersion into the world of horses, and it led to my first ever horse portrait and the beginning of my career as an equine artist. So, in a big way I owe it all to Scottie and my trainer, Lisa, who helped me overcome my fears; not completely but enough to live in the horse world as an owner/rider and to meld my two life passions: horses and art. 

Saturday, March 21, 2015

"Feel So Fine" Frisky Colt In A Spring Pasture. Spring Sale Offering

"Feel So Fine" Pastel Painting of a Foal in Spring


Today is the first official full day of Spring, and isn't it especially welcome this year? Never mind that it snowed here this morning.

For we horse lovers, signs of Spring bring thoughts of newborn foals in all their cuteness. This is a painting of a foal that I created several years ago which has still not found a home. I don't quite know why, but it happens. For some works of art, it just takes a little longer for the right person to come along and fall in love with them and take them home. 

The subject of this painting is Bullet, a Morgan colt that a friend allowed me to photograph many years ago. He's a little flashy for a Morgan with all that white and he was so lively running around, bucking and kicking out, as he raced around the paddock. I put him in a Spring pasture to make a more Springlike composition to set the mood better. 

Titled "Feel So Fine", this pastel painting is available for the special Spring Sale price of $205 framed plus shipping. It measures 12.5x14 inches and is double matted inside a brushed gold frame. If you're interested in purchasing this painting of Bullet, please message me to arrange for the sale. 

This isn't the only time I've painted Bullet, though. On a second photo shoot at the farm I got more pictures of him and more foals. Now Bullet is all grown up, still handsome and still prancing around when turned loose for the day. The painting below is also a pastel on pastelmat and was sold several years ago. 

"Bullet In Motion" Pastel Painting of a Morgan Gelding
Please visit my website, Karen Thumm Fine Art to see more of my work and see works in progress. I plan to be very busy in the studio this Spring and Summer creating more art for you to enjoy. 

Wednesday, March 4, 2015

Equine Art Candy for the Eyes

"Scotty and Me" old graphite pencil drawing


I have two entries in the Institute of Equine Artists online exhibition which opened on March 1, 2015. Both are older pieces, but I am hoping to get back to some painting very soon while I take breaks from working on income taxes.

It is a very fine show, so be sure to go through all the entries and let me know what you think!

IEA Power and Grace

Meanwhile, I've been in physical therapy yet again for continuing problems as a result of last year's surgery. The new dogs are also taking up much time.