Sketch Book Drawings - Page One

I’m going to be brief today because I need to get out for my walk and then into the studio.

But, I have another reason as well. Having spent the weekend in front of the computer going through my inbox and reading a backlog of artist blog posts, I’ve come to realize that people probably don’t read long winded blog posts. I know I skipped a lot of them because I simply didn’t want to take the time if the subject matter wasn’t absolutely riveting. Mostly, it wasn’t. So, here goes.

I’ve been reading a book called, The Van Gogh Blues by psychologist Eric Maisel. He specializes in working with creative people and has written a number of books for creatives. This book is helping me immensely in finding my way back into the studio by giving me many insights into my personal life and my life as a creative person. Turns out I’m not so unique in my struggles after all! His main point is that creative people are born questioning everything and therefore have difficulty finding meaning in their lives. Because of a lack of meaning in their lives, creative people are prone to depression which keeps them from being creative which causes deeper depression. So, the book is all about finding your own personal meaning and keeping depression at bay. I’m not sure that “meaning” is the word that I would have chosen. “Worth” or “value” come to my mind more than meaning, so I just substitute them in my mind as I read.

The book explains to me why I had such difficulty in high school algebra (or was it geometry?) understanding the difference between a hypothesis and a theorem. One is supposed to be a proven fact and the other is something to be proven. Poor old Miss Chipman was totally exasperated with me trying to explain the difference, and I was equally exasperated trying to grasp it. We never did come to an understanding.

But, I digress. As part of my “art therapy” if you can call it that, I’ve decided to do some daily sketching. Last night I did the sketches above of a Friesian colt. They are freehand sketches. That is, I pulled some standard photo prints out of a reference box and copied the photos as nearly as I could. As you can see, one effort was a total flop and had to be redone. The others are reasonably good. They are done with a ballpoint pen to prevent me from doing endless correcting so the false lines are still visible.  I think I draw more carefully if I know I can’t erase.

I’m also thinking of instituting an art challenge on my blog which would involve “audience  participation”. I have to ruminate on that one a bit more, so stay tuned for more info.

And, stay tuned for more sketches from the sketchbook!

PS I've just noticed that I have some new followers! Welcome all!  Thank you for joining me. I hope you find my posts just a little bit riveting.

A Case of the What Ifs

The other day I got the bug to "do something" with my website. It started out innocently enough. I was just going to get rid of some broken links to a stats program I'd tried a few years ago and do a few other little maintenance things but then got a case of the What Ifs. That's always dangerous and sure to lead you astray from whatever urgent project is on the schedule for that day.

I've been wanting to redo my website for a long time but just couldn't spare the time to learn Deamweaver and do a proper job of it. I'm still stuck in the Dark Ages of website design, you see, with my wimpy little Home Page WYSIWYG program that only runs in OS 9, so my options are currently very limited, along with my knowledge of all the new cool stuff for making a website look sophisticated and professional.

At any rate, when the What If's struck I wondered What If I changed the table color to white instead of the teal green (that I love) in order to give the website a fresher, brighter look. So I did it. Hours and hours later, I had completely redesigned the Horse Paintings page and a couple of others and stumbled off to bed.

Of course, this morning the new design didn't look as hot as it had yesterday, and of course I couldn't leave it that way without trying out a few other What If ideas. So I did.

I think I'm happy with it now. For the time being. Until the What Ifs strike again. The main pages are done, and with the new design set, I can revise the rest of the pages one or two at a time. It's not fancy; it still looks kind of old fashioned by today's standards, but it will do until I can learn Dreamweaver.

Here is the Horse Paintings page newly spiffed up for the world to see. I hope.

Today's image is one I took at the Horse Shows By The Bay Dressage Show in Traverse City last summer. It's a definite future painting, and on a cold, blustery day in March, it reminds me of how hot and dusty it was that August day.

I'm a Little Rusty

Okay, I admit it; I'm not nearly as skilled when I draw freehand as I am when I have a reference to refer to. That was brought home to me last night when I did a little sketching while watching TV. The horse started out as a Friesian head and neck study which grew to the whole body except that - OOPS - I ran out of paper. It definitely didn't match the expressive flowing image I had in my head. Or, maybe the image in my head wasn't formed enough to come out well on paper. You'll notice that it strongly resembles my painting, "Forever Friesian" for which I had good photo reference. I've been thinking of redoing this image with improvements and a landscape background, and this was supposed to be an exploratory sketch for that. Clearly, it needs to go back to the drawing board.

The other sketch is supposed to be a wolf, but it looks more like a wolf dog cross or a longhaired German Shepherd. As a former German Shepherd owner, I can definitely see the Shepherd influence in this animal's "breeding". I have a few wolf books and some wolf calendars and need to spend some time sketching from those images to get a better feel for the wolf form before I try to create a real drawing or painting.

Yes, I realize that there's the whole copyright infringement issue, but if I use these materials to study and learn from ONLY and don't claim the resulting images as my own or try to sell them, it's perfectly permissible. That's how artists have learned for centuries, in fact, by copying the masters who came before them. Any art I do from these materials will remain hidden in my studio for my eyes only.

When I was a kid, I sketched from my mind and rarely directly copied. At least that's the way I remember it. Maybe I did more copying than I remember, but I drew constantly and got pretty good for my age from all the practice and exploration. I have a box full of old art to prove it, too. Clearly, I need to do more of that again; either working from memory and imagination or by working from life. That's why one of my goals for this year is to fill a sketchbook by year's end.

My training in illustration in art school taught me to work from photos, and creating pet portraits certainly demanded that level of accuracy be attained. But in recent years I came to face the fact that I'd become too dependent on photos. It's time to break free and go back to sketching and creating just for the joy that it brings without any thought to "will it sell?" or "is it good?"

So, here for the world to see are my first rusty attempts at freehand sketching in quite some time. I hope you enjoy them for what they are; nothing more than practice sketches.