Showing posts with label colt. Show all posts
Showing posts with label colt. Show all posts

Thursday, May 22, 2014

Prancing Foal Pastel Painting

"Feel So Fine" Pastel horse foal painting
It's Throwback Thursday on Facebook, so I thought I'd share this older pastel painting of a lively colt which is still available for sale. 

Bullet was a five week old Morgan colt just turned out with his mother on a late Spring morning. His youthful exuberance is expressed in this painting as he prances about in the lush Spring landscape. 

The painting is 12.5x14 inches and is available framed for the special price of $225. Please contact me if you're interested in putting this speedy Bullet on your living room wall. 

You may email me at karen@equineartist.com

Monday, August 16, 2010

Sketch Book Drawings - Page One



I’m going to be brief today because I need to get out for my walk and then into the studio.

But, I have another reason as well. Having spent the weekend in front of the computer going through my inbox and reading a backlog of artist blog posts, I’ve come to realize that people probably don’t read long winded blog posts. I know I skipped a lot of them because I simply didn’t want to take the time if the subject matter wasn’t absolutely riveting. Mostly, it wasn’t. So, here goes.

I’ve been reading a book called, The Van Gogh Blues by psychologist Eric Maisel. He specializes in working with creative people and has written a number of books for creatives. This book is helping me immensely in finding my way back into the studio by giving me many insights into my personal life and my life as a creative person. Turns out I’m not so unique in my struggles after all! His main point is that creative people are born questioning everything and therefore have difficulty finding meaning in their lives. Because of a lack of meaning in their lives, creative people are prone to depression which keeps them from being creative which causes deeper depression. So, the book is all about finding your own personal meaning and keeping depression at bay. I’m not sure that “meaning” is the word that I would have chosen. “Worth” or “value” come to my mind more than meaning, so I just substitute them in my mind as I read.

The book explains to me why I had such difficulty in high school algebra (or was it geometry?) understanding the difference between a hypothesis and a theorem. One is supposed to be a proven fact and the other is something to be proven. Poor old Miss Chipman was totally exasperated with me trying to explain the difference, and I was equally exasperated trying to grasp it. We never did come to an understanding.

But, I digress. As part of my “art therapy” if you can call it that, I’ve decided to do some daily sketching. Last night I did the sketches above of a Friesian colt. They are freehand sketches. That is, I pulled some standard photo prints out of a reference box and copied the photos as nearly as I could. As you can see, one effort was a total flop and had to be redone. The others are reasonably good. They are done with a ballpoint pen to prevent me from doing endless correcting so the false lines are still visible.  I think I draw more carefully if I know I can’t erase.

I’m also thinking of instituting an art challenge on my blog which would involve “audience  participation”. I have to ruminate on that one a bit more, so stay tuned for more info.

And, stay tuned for more sketches from the sketchbook!

PS I've just noticed that I have some new followers! Welcome all!  Thank you for joining me. I hope you find my posts just a little bit riveting.

Wednesday, February 10, 2010

Lady's Colt


“Lady’s Colt” 8x10 inch oil on canvas board

The subject of this painting is an eight day old Morgan colt. I don’t remember his name, but his dam is Lady who belongs to a friend of mine. This is the third in a series of one hour paintings I’ve been assigned to do by my mentor.

This time I deviated from the assignment by using smaller brushes. As a result, it took me longer to complete this one than the others; more like two hours, fifteen minutes. Still, that’s very fast for me, and it’s very rewarding to finish a painting in a few hours versus the weeks and months it usually takes me to complete an oil painting.

I’m very much enjoying this new style even though I haven’t gotten the hang of it yet. It’s been a boost to my ego to find that I can paint something fast and loose and have it look like what it’s supposed to look like and not a big mess. Below is a close up of the little feller so that you can see the looseness of the brush strokes. The legs are shorter than they should be because I ran out of room at the bottom of the canvas. Clearly, I should have placed him higher or made him a little smaller. That’s one of the hazards of drawing directly on the canvas without a preliminary drawing for perfect placement.

I have no idea if these little paintings are marketable or not. I just know I’m having a whole lot of fun doing them!